ART2102 is proud to announce the first in a series of panel
discussions amongst contemporary non-commercial art venues
in Los Angeles. The series, Sunshine Quoi?, reflects on
the history of artists' spaces and projects, bringing together
the people behind some of today's generation rethinking
the character of the art institution. Following in the footsteps
of The Museum of Jurasic Technology, The Center for Land
Use Interpretation, Deep River, Three-Day-Weekends and Six
Months, these contemporary venues operate outside of the
commercial sphere and art institutional realm, redefining
the model of the artists-run space time and again. Sunshine
Quoi? aims to develop a social and intellectual mapping
of these projects to begin to formulate a deeper awareness
of the myriad of experimental practices in art production
occurring in Los Angeles, but not always evidenced in its
more conventional spaces. The series of panel discussions
will culminate in a collective newspaper publication project
containing contributions from participants.
The first installment of the Sunshine Quoi? series presents
three projects that specifically address notions of the
temporary and the elusive within their programs: Another
Year in LA, Champion Fine Art and ESL, Esthetics as a Second
Language. These three organizations share characteristics
with the existing structures of art galleries, educational
institutions and museums, yet created spaces with finite
durations, and transitory locations, reflecting the elusive,
and multiplicitous character of the Los Angeles art world.
Each employs strategies that reconsider and deconstruct
the existing models of art presentation, and collapse the
notions of institutional concreteness, opting instead to
focus on the temporary communing of the public around specific
events and exhibitions. David and Cathy Stone of Another
Year in LA, Flora Wiegmann of Champion Fine Art, and Nate
Harrison and Mario Garcia Torres of ESL will present their
projects and discuss the contrasting ways they defined and
operated their spaces, while speaking to their individual
motivations for re-imagining the sites of reception of art,
and the functioning of the art institution.
ANOTHER
YEAR IN LA is housed in the former location
of ONE YEAR IN LA which was a yearlong art exhibition project
conceived by David E. Stone. During 2004, David staged twelve
monthly exhibitions of his conceptually-based work, which
formed an episodic cradle-to-grave experience. ANOTHER YEAR
IN LA is the result of a metamorphosis from an allegorical
solo endeavor to a seemingly more traditional gallery experience
continuing a conceptual mindset. The program of one- or
two-month exhibitions has focused exclusively on contemporary
work as the gallery hosted a forty-year survey of pioneer
conceptual artist Stephen J. Kaltenbach. In addition to
shows selected by Cathy & David Stone, the gallery invites
an outside arts professional every year to curate an exhibition
that complicates and expands the program.
CHAMPION
FINE ART:  is
a two-year exhibition series of artist-curated group shows.
Developing out of a defining moment for many artists-run
galleries, CHAMPION aimed to preserve the independent nature
of such spaces and resist the growing influence of curatorial
professional practice, the bureaucracy that often results
from non-profit organizations, and the market forces that
drive commercial galleries. The twenty-one exhibitions were
titled numerically in descending order. The first ten shows
took place in New York City, September, 2003 - August, 2004.
The remaining shows took place in Los Angeles, October,
2004 through November, 2005. Each exhibition is accompanied
by a hand bound, self-produced catalog in an edition of
one hundred. The series will culminate with the publication
of Zero, a book documenting the entire project.
ESL
| ESTHETICS AS A SECOND LANGUAGE is a debate
interval between academia, art institutions and individuals,
coordinated by artists Nate Harrison, Hugo Hopping and Mario
Garcia Torres. ESL is an outfit that aims to provide the
stage to publicly discuss social matter in the art arena,
envisioning art and thinking as potential agents for social
intervention. It is a movable concept that migrates from
physical to virtual space and hopes to encounter other significant
areas of interaction. Rather than adopting a democratic
or an authoritarian organizational model, ESL exists as
a flexible structure where everyone that participates becomes
part of its development and expansion. Publicly, it is mostly
known for a one-night event series hosted in East Los Angeles.
View the other discussions and projects from Sunshine Quoi?
Part 2: Sunshine Quoi? Common
Sense
Part 3: Skylar Haskard's Mapping
Sunshine Quoi?
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