Hear me, children-yet-to-be-born
July 7, 2005 Film screening 7-9pm
Featuring work by:
Sandy Amerio
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Sandy Amerio, video still
from, Hear Me,
Children-yet-to-be-born, 2004 DVD, 45 min
Courtesy the artist |
ART2102 is proud to present Hear me, children-yet-to-be-born,
an new experimental movie by Paris-based artist Sandy Amerio,
whose video work questions the formal characterization of the
documentary, fiction and art practice.
Shot entirely in the Death Valley, Hear me, children-yet-to-be-born
splices a strange contemporary narrative and the majestic, timeless
environment of the American desert. A journey through the valley,
at once harsh and cinematic, lets the arid wilderness unfold slowly
to the voice of a manager telling a fictitious assembly a story
that occurred during his last business trip to the Dead Sea. Following
an anecdotal start, the tale soon reveals the manager’s
intent to lay off the employees who listen to him.
Hear me, children-yet-to-be-born bridges a notion of the American
collective unconscious with a fascination for narrative, drawing
from such seemingly diverse sources as the business world, the
Bible and the events of September 11th, 2001. Particularly, it
investigates storytelling in the corporate environment, a practice
used by managers in some large companies such as Nike, Adobe or
Disney, who tell tales to employees with the aim of generating
or influencing their behavior and feelings. Such storytelling,
heavy in metaphors and analogies, has multiple applications: from
personnel conflict management to finding some explanation for
downsizing, lay-offs, or increase of production.
Hear me, children-yet-to-be-born
45 minutes, an experimental film Co-produced by les Laboratoires
d’Aubervilliers, the French Ministry of Foreign Affairs,
AFAA residency program, 18th Street Arts Complex, Los Angeles
2003, the French Ministry of Culture, CNAP, Research Grant in
France and Abroad (video section) 2002
Sandy Amerio is a video artist, photographer and writer. She was
born in 1973 in Paris where she lives and works. She studied fine
arts in Nantes and Le Fresnoy (International Studio of Contemporary
Arts) and has worked with curators such us Jean-Charles Massera,
Catherine Francblin, Michel Nurdidsany. She has participated in
screenings at many international venues including the Kyoto Art
Festival in Japan, the Museum of Contemporary Art in Helsinki,
the International Film Festival of La Rochelle, and in cinemas
like the Brotfabirk in Berlin, MK2 Bibliotheque in Paris.
In 2002 and 2003 she was awarded two grants (from the Ministry
of Culture and Ministry of Foreign Affairs AFAA) for the production
of Hear me, children-yet-to-be-born. The film was entirely shot
in the Death Valley and featuring Nancy Ferguson (who had worked
with film makers such as Paul Verhoeven and David Lynch) during
her residency at 18th Street Arts Complex in Santa Monica. In
2004, both the Espace Paul Ricard and the underground Les Laboratoires
d’Aubervilliers organized solo exhibitions of Amerio’s
work. In the same year she also published her first bilingual
book of storytelling (with contributors of American thinkers of
management such as Rosabeth Moss Kanter, Diana Hartley and Doug
Stevenson).
Her last film screening took place at the Festival de Cannes 2005
as part of a special screening of artist’s films.
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